Someone on teh internet once said that ‘Dubstep sounds like robots having sex’. There was a time when that would have been a great thing. We could have worn a tinfoil space outfit from Cyberdog and been all over that robot sex vibe. How times have changed. Nowadays, the idea of ‘quality’ in Dance music has shifted to the warm, classic-sounding stuff: Deep House, New York Disco, Ska, Rock n Roll, Golden Era Hip Hop, anything with analog synths, anything with 909s… All that EDM and Brostep rubbish sounds, well, rubbish. What happened?
Up until a couple of years ago, Dance music only ever looked forward. The rate of progression from Rap to House to Rave to Hardcore to Jungle to DnB took place over the course of just 10 short years (roughly speaking, 1986-1996). Top DJs were expected to play all the latest releases and a track would be jettisoned from your record bag after 18 months, regardless of how good it was. White labels, dubplates and pirate radio all contributed in their own way to the vertiginous turnover of sonic palates, pushing music faster, harder, further. Dance music was the sound of the future and it left most Rock music light years behind in terms of innovation and originality. I remember DJing in the early 2000s and listening to old House and Hardcore records with their ‘primitive’ 909 beats and thinking how dated and badly produced they sounded. Those same records are now the ones we eulogize about with misty-eyed nostalgia. The futuristic robot music of Skrillex or Knife Party just sounds like some kind of aural discharge. The future is over.
The reason we hate EDM is that we are now living in the end times. We are coming to the end of Western civilization. Although the current economic recession appears to be lifting – through such ugly and desperate measures as fracking and selling off the NHS – we are surely witnessing the last death throws of the Anglo-saxon empire. As Russia comes knocking at Europe’s door once again and Latin Americans catch tantalizing glimpses of life beyond America’s stranglehold, it’s fair to say we are entering a new age. It is no surprise, then, that we are also caught up in a collective cultural nostalgia trip.
The warm, cosy world of the 20th Century is a far safer place for us to abide than a 21st Century where China holds the cards and hoverboards are conspicuous only by their absence. It is also no surprise, that the only music ‘we’ judge to be worthy is the good old classic-sounding stuff. The new breed of American Dubstep with its hyper-wobble distorted basslines or glitzy EDM with its catchy choruses and hands-in-the-air Euphoria are deemed to be beyond the pale.
We have fallen out of love with the future, because we know deep down that we do not own the future any more. Is this something to be pessimistic about? Hell no! Just as in 1453, as Constantinople fell and Christendom lay in tatters, Italy looked inwards and backwards and came up with the Renaissance, it might be that we need a deep and long recession to remind us of what’s important in life. It’s probably time for the West to take a rest. Once the fracked oil has been bled dry and the locusts have moved on to India or China, maybe we will finally be left in peace to build a sustainable future where we don’t have to keep running blindly forwards in the name of progress. If Skrillex is the future, isn’t it better to stand still? I for one would rather stick on a shellac, pour myself a martini with an olive in it, and get back to the sewing. As long as I can keep my iphone.
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In spite of not knowing how to spell Obama, or that the UK doesn’t have a president, Gemma Worrall knows that Russia is bad. The western media can give itself a collective back pat for that one. The endless anti-Putin propaganda, starting with the Olympics and ending in the whole Ukraine thing has been so effective that even those who know absolutely nothing about anything at all have been wholeheartedly convinced that RUSSIA IS EVIL.
Thank God our great leader Barraco Barner is here to save us all from these foreign evil dictators who do evil things like not selling us their gas as cheaply as we’d like or invading places they used to own.
This is the 100% accurate and definitive list of the best European countries to visit.
A Helpful Note To The American Reader
If you’re planning a trip to Europe, you’re probably wondering which of the 30-odd countries is more worthy of your time. I have therefore decided to come up with an order of the countries most worth visiting for the first-timer doing some sort of round-Europe trip…
I can’t really be bothered to explain my reasoning at this juncture, for ’tis merely a list of my top 5. Suffice to say, however, it’s probably quite a good top 5, objectively speaking, if you like art, food, sunshine, music, museums and old stuff. If you don’t like these things, I hear Milton Keynes is nice.
Because even nazi sympathising genocidal maniacs can have a fantastic coastline.
Por que me encantan las fiestas, la gente y la cultura.
Because Mogwai, Buckfast and red squirrels.
2. Loathed as I am to admit it, France
I won’t massage their egos any further, but you’ve got to hand it to them.
Numero uno! Is that even Italian?
I’m probably not the first person to point out that we have invented the most powerful mechanism for human interaction and cooperation ever conceived, yet use it to share pictures of kittens. In the spirit of Buzzfeed, Upworthy et al, I will give this article a ridiculously over-egged headline and a picture of a sloth doing something cute, but if you want to understand my drift, you might have to actually be bothered to read a few hundred words. Sorry about that.
I awoke this morning to a Buzzfeed article about an artist called Lindsay Bottos. To cut a long story short, Lindsay found herself at the brunt of cyberbullying for no other reason than being a relatively attractive woman with a Tumblr. I’m sure that many commentators’ angle on this story will be the failure of feminism: “The male gaze”, that sort of thing. However, there is an underlying tendency behind this whole issue which is, if anything, far more disturbing/interesting in my eyes. When people watched TV, it was called the ‘three-second zapping culture’.
Now we’re in the digital age, it’s this same zapping culture which draws us to Buzzfeed, Tumblr and the rest. If this new century can be characterised by anything, it is the way that visual culture has replaced the written word, and that information is becoming ever more bite-sized. Why watch a 2-hour film when you can watch a one-hour episode of Breaking Bad? Why read an essay about the meaning of art when you can see the idea expressed on canvas? Why read a cookery book when you can watch a youtube video instead? There is no doubt that, for good and for bad, all the information in the universe is slowly being condensed and filtered into manageable chunks. These bitesize pieces are easier to digest and help us to achieve more as human beings. But the flipside of all this is that we are becoming really sucky at thinking for ourselves, of holding complicated ideas in our heads and of seeing things in ways other than black and white.
To take an arbitrary example, let’s look at internet memes. They are funny because they are able to sum up a ‘type of person’ or a ‘familiar situation’ so well. They play into the same human weakness; the need to stereotype, to condense information, to create a shorthand, to distill a thought to its essence. They are also incredibly cruel for the person who’s been memed: They have had their individuality erased and whatever intentions they had in striking that pose have been completely airbrushed from history. They have become nothing more than a hideous caricature, a shorthand for an idea. Sucks to be them. But what is a selfie, but the creation of one’s own meme about oneself? Every selfie is in all circumstances the same meme: I think I’m hot. Just as College Liberal might not even hold liberal views, you might not think you’re hot. But you don’t control your message. The public controls it. They think that all selfies are the “I think I’m hot” meme. Any reaction to your selfie is a reaction to “I think I’m hot” not to you as a person. Don’t take it personally.
In a digital-visual world, there is no room for ambiguity, the marginal, the esoteric. The children of tomorrow will not memorise Shakespeare’s sonnets or Sanskrit grammar. They will not follow trains of argument with logical rigour. They won’t understand the irony of Buzzfeed – the website that specialises in short lists – decrying people who judge artists based on shallow first impressions.
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1. Spiral (France 2005-12)
Coming out of the Canal+ stable, a TV station which has become synonymous with good telly (kind of like a French HBO if you will), this gritty French police drama will have you hooked from the opening credits. Part procedural cop show, part gore-fest, Spiral explores the dark underbelly of Parisian life, where prostitutes and gangsters rub shoulders with bent coppers and dodgy lawyers.
2. Lilyhammer (Norway 2013)
Lilyhammer is a Norwegian Netflix original and is the highest-rated TV show of all time in Norway, where nearly a quarter of the population went online to watch the story of an American gangster who escapes to Lillehammer as part of the witness protection program. As well as being a hilarious, innocent-abroad-in-reverse-comedy-drama, Steven Van Zandt speaks in English throughout, meaning less subtitle fatigue.
3. The Bletchley Circle (UK 2012)
But try as you might, you just can’t beat a good British period drama mini-series. The Bletchley Circle has all the key ingredients: Sensational period details and great character actresses. However, it’s the riveting, based-on-a-novel plot revolving around a group of former Bletchley Park code-breakers who put their talents to post-war sleuthing that really gets the heart racing. More seasons are in the pipeline, apparently, too.
Getting into Oxford University is, like, really hard. And it’s, like, really expensive, too. But it must be cool, because David Cameron and Mr Bean went there.
… Let’s Hack it!
Option 1: The Brookes Blag
Oxford has another University. It’s called Oxford Brookes, which sounds a bit like Oxford. Especially to foreign employers. Even more so if you leave out the ‘Brookes’ bit. It’s also a lot easier to get into (though it costs the same amount in fees).
Total Cost: £9,000 per year.
The Pros: Oxford without the geeks. The word ‘Oxford’ in your degree. Life amongst the dreaming spires and all that.
The Cons: That nagging feeling at the back of your mind that whispers “you didn’t really go to Oxford, did you”.
Option 2: An Armchair Approach
While studying in Oxford is all very well and good, it has a fatal drawback: You have to actually be arsed to live in Oxford.
Why not use the power of the interwebs to watch lectures online? It’s like being in Oxford, except without the spotty geeks, three-legged pub crawl participants, hooray Henries and Cowley crack whores.
Total Cost: £0
The Pros: Learn from the greats at your own pace.
The Cons: It is an internet thing and therefore mostly ephemeral.
Option 3: A Scholarly Scam
It’s a not-very-well-advertised fact that members of the public can attend lectures at Oxford University. At the discretion of the college, you could attend a series of weekly lectures for as little as £60 per term. Basically, peanuts. Then you could buy a year’s subscription to the Bodleian Library, costing the princely sum of £38.
But what about the one-to-one tuition that Oxford is so famous for? Well, you could advertise in the Daily Info for a private tutor. You’ll find a PhD student or junior academic is willing to teach you one-to-one for £25 an hour.
The downside? You won’t get a degree. You’ll have nothing to show for your efforts except, like, actually knowing stuff.
Total Cost: £818 per year.
The Pros: An actual Oxford education, without the stress or the essay deadlines.
The Cons: No degree certificate, but then Oxford don’t give out degree certificates, so you’re fine.
Option 4: The Language School Lie
There are private colleges around Oxford which cash in on the ‘Brookes Effect’. You can spend a few weeks in Oxford doing a short course in anything from beginners’ English to advanced Calculus for a few hundred quid. And the colleges have names like ‘St Cuthberts College, Oxford’ or ‘Marlborough College, Oxford’. You also get to hang out in the Turf Tavern, go punting, pick up some received pronunciation and generally feel like an extra from Brideshead, Downton et al.
Total Cost: £200 for a short course
The Pros: A certificate bearing the words “Studied English at Regency College Oxford” or some such gubbins.
The Cons: ‘Con’ is the definitely the operative word.
Option 5: The Deuchars Deception
Sit in The Eagle and Child or The Lamb and Flag, wear tweeds and talk about Marxism. Soon enough, everyone will assume that you’re a Queen’s Fellow anyway.
Total Cost: £3.80 a pint.
The Pros: Beer
The Cons: Can’t remember. Whose round is it?
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Sometimes it feels like a day doesn’t go by when my Facebook newsfeed doesn’t contain the words “When are the new Public Enemy/Sex Pistols/Rage Against The Machine going to appear? We need music with a message instead of all this meaningless pop crap…”… I find this sentiment so quaint. It’s almost cute to think that there are some people for whom The Pirate Bay never happened.
If Punk Rock taught us anything, it’s that people love to feel rebellious and will pay good money for ripped jeans, albums about fighting the power, Che Guevara posters and the $375 Urban Outfitters jacket pictured above. Teenagers love to consume the ideology of rebellion. After all, it’s so much easier than actually Fighting the Power. Remember in Withnail and I when the drug dealer complains that they’re selling Hippy wigs in Woolworths? It’s what they used to call recuperation in the olden days of Socialist yore. Or, as the Clash so elequently put it, turning rebellion into money.
What – let’s call him ‘Facebook Guy’ – doesn’t realise is that sitting on your arse listening to Billy Bragg is no more subversive than sitting on your arse listening to Justin Bieber. Whether it be Britney Spears or Bob Seeger, any major label record purchase is essentially an act of fellatio on a huge corporate penis. Facebook Guy thinks he’s rebelling by listening to Public Enemy, but he’s really sucking Vivendi Universal Music Group dick.
At the end of the day, Bob Dylan didn’t end the Vietnam war any more than The Hoff brought down the Berlin wall. The Economic machinations of the Geopolitical power nexus massively dwarf any ideological merit which accrues through someone – even the Lennons and Strummers of this world – writing a pop song.
If, like Facebook Guy, you are waiting for the next Public Enemy, I think I may have found them. It’s YOU. You can share, bootleg, steal, lend, swop, blog, give away, mashup and remix music. Become a producer instead of a consumer… (and you don’t even need to leave your armchair!). But if you can’t be arsed, don’t worry. Some kid from Hackney with Fruity Loops and a Twitter account is doing it right now. Don’t say you weren’t warned.