Why We Hate EDM
Someone on teh internet once said that ‘Dubstep sounds like robots having sex’. There was a time when that would have been a great thing. We could have worn a tinfoil space outfit from Cyberdog and been all over that robot sex vibe. How times have changed. Nowadays, the idea of ‘quality’ in Dance music has shifted to the warm, classic-sounding stuff: Deep House, New York Disco, Ska, Rock n Roll, Golden Era Hip Hop, anything with analog synths, anything with 909s… All that EDM and Brostep rubbish sounds, well, rubbish. What happened?
Up until a couple of years ago, Dance music only ever looked forward. The rate of progression from Rap to House to Rave to Hardcore to Jungle to DnB took place over the course of just 10 short years (roughly speaking, 1986-1996). Top DJs were expected to play all the latest releases and a track would be jettisoned from your record bag after 18 months, regardless of how good it was. White labels, dubplates and pirate radio all contributed in their own way to the vertiginous turnover of sonic palates, pushing music faster, harder, further. Dance music was the sound of the future and it left most Rock music light years behind in terms of innovation and originality. I remember DJing in the early 2000s and listening to old House and Hardcore records with their ‘primitive’ 909 beats and thinking how dated and badly produced they sounded. Those same records are now the ones we eulogize about with misty-eyed nostalgia. The futuristic robot music of Skrillex or Knife Party just sounds like some kind of aural discharge. The future is over.
The reason we hate EDM is that we are now living in the end times. We are coming to the end of Western civilization. Although the current economic recession appears to be lifting – through such ugly and desperate measures as fracking and selling off the NHS – we are surely witnessing the last death throws of the Anglo-saxon empire. As Russia comes knocking at Europe’s door once again and Latin Americans catch tantalizing glimpses of life beyond America’s stranglehold, it’s fair to say we are entering a new age. It is no surprise, then, that we are also caught up in a collective cultural nostalgia trip.
The warm, cosy world of the 20th Century is a far safer place for us to abide than a 21st Century where China holds the cards and hoverboards are conspicuous only by their absence. It is also no surprise, that the only music ‘we’ judge to be worthy is the good old classic-sounding stuff. The new breed of American Dubstep with its hyper-wobble distorted basslines or glitzy EDM with its catchy choruses and hands-in-the-air Euphoria are deemed to be beyond the pale.
We have fallen out of love with the future, because we know deep down that we do not own the future any more. Is this something to be pessimistic about? Hell no! Just as in 1453, as Constantinople fell and Christendom lay in tatters, Italy looked inwards and backwards and came up with the Renaissance, it might be that we need a deep and long recession to remind us of what’s important in life. It’s probably time for the West to take a rest. Once the fracked oil has been bled dry and the locusts have moved on to India or China, maybe we will finally be left in peace to build a sustainable future where we don’t have to keep running blindly forwards in the name of progress. If Skrillex is the future, isn’t it better to stand still? I for one would rather stick on a shellac, pour myself a martini with an olive in it, and get back to the sewing. As long as I can keep my iphone.
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